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I possess no specialized knowledge of architecture,
but I understand that in the Gothic
cathedral of the West
the roof is thrust
up
and
up
so as to place its pinnacle as high in
the heavens as possible
-and that herein is thought to lie its special beauty.
In the temples of Japan, on the other hand, a roof of heavy tiles is first laid out,
and
in the deep, spacious shadows created by the eaves
the rest of the structure is built.
Nor is this true only of temples;
in the palaces of the nobility
and the houses of the
common people,
what first strikes the eye is the massive roof
of tile
or thatch
and
the heavy darkness that hangs beneath the eaves.
Even at midday cavernous darkness spreads over all beneath the roof's edge,
making
entryway,
doors,
walls,
and pillars all but invisible.
The grand temples of Kyoto-Chion'in, Honganji-
and the farmhouses of the remote
countryside
are alike in this respect:
like most buildings of the past, their roofs
give the impression of possessing far greater
weight, height, and surface than all
that stands beneath the eaves.
 
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